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Morphos IX, Tethys

Oil on canvas
48 x 48 inches



Morphos I, Autumn's Fire

Oil on canvas
60 x 60 inches



Morphos II, Shadow

Oil on canvas
60 x 64 inches



Morphos III, The Raven

Oil on canvas
72 x 72 inches



Morphos IV, Columns

Oil on canvas
46 x 54 inches



Morphos V, Break

Oil on canvas
48 x 54 inches



Morphos VI, Faeries

Oil on canvas
80 x 80 inches



Morphos VII

Oil on canvas
48" x 48"



Bend
Oil on panel
54" x 48"




Fire and Ice

Oil on panel
48" x 42"




Apotheosis I
Oil and acrylic on canvas
48" x 32"




Apotheosis III
Oil and acrylic on canvas
48" x 32"



Campagna

Oil on panel
48" x 48"



Ember
Acrylic & plaster on panel • 24" x 24"




Veil
Acrylic & plaster on panel • 24" x 24"



Distance
Acrylic & plaster on panel

24" x 24"



First Light

Oil on panel
48" x 36"



Wych Hazel
Acrylic, oil, & plaster on canvas • 52" x 52"




Winter Fields
Oil & acrylic on canvas • 16" x 32"




Emmaus
Oil & acrylic on canvas • 32" x 48"




Courante
Oil & acrylic on canvas • 32" x 32"




Prelude
Oil & acrylic on panel • 24" x 48"


WORKS SOLD

About the Artist

Patrick Adams earned a Master of Fine Arts degree from the University of Kentucky in 1992. He taught in the Art Department at Asbury College for several years and now works full time in his studio. Mr. Adams' work has been included in exhibitions at several galleries and museums throughout the region, and he shows his work regularly in Chicago and Nashville. He has twice been awarded the prestigious Al Smith Fellowship from the Kentucky Arts Council, and his paintings are in many private and corporate collections across the United States. Adams was one of 14 Kentucky artists featured in the KET (Kentucky Educational Television) series, Looking at Painting. He resides with his wife Terre and three children Margaret, William and Abigail in Nicholasville, Kentucky.


Artist's Statement

Evidence

In the process of creating a painting, there remains, despite the conscious exertion of my will, a thread of the mysterious and seemingly arbitrary. This admission implies there is something that emerges in the image beyond the interaction of intellect and material. It is this discovery, or recognition of the unanticipated that drives my work and is, in fact, it's very essence. This requires, however, that I believe that there is more to painting than the arrangement and manipulation of materials. The finished painting then becomes the manifestation, the incarnation, the evidence of my belief in the power and the inexorable mystery of images.

Patrick Adams, November 2, 2006


For more information about PATRICK ADAMS, please visit the artist's personal site

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