Dividing the Deep Acrylic, oil, & plaster on canvas • 52" x 52"

Prelude to Spring Acrylic, oil, & plaster on canvas • 46" x 54"

Open Field, Provence Acrylic, oil, & plaster on canvas 32" x 28"

The Third Day Acrylic, oil, & plaster on canvas 32" x 28"

Glow Acrylic & plaster on panel • 24" x 24"

Scatter Acrylic & plaster on panel • 24" x 24"

Ember Acrylic & plaster on panel • 24" x 24"

Veil Acrylic & plaster on panel • 24" x 24"

Ridge Acrylic & plaster on panel • 24" x 24"

Rise Acrylic & plaster on panel • 24" x 24"

Distance Acrylic & plaster on panel • 24" x 24"

Lacrosse Acrylic & plaster on panel • 24" x 24"

Toil Acrylic, oil, & plaster on canvas • 36" x 40"

Sodden Field Acrylic, oil, & plaster on canvas • 32" x 28"

Wych Hazel Acrylic, oil, & plaster on canvas • 52" x 52"

Flotsam Acrylic, oil, & plaster on canvas • 52" x 52"

Winter Fields Oil & acrylic on canvas • 16" x 32"

Open Field sold Oil & acrylic on canvas • 16" x 32"

Emmaus Oil & acrylic on canvas • 32" x 48"

Courante Oil & acrylic on canvas • 32" x 32"

Prelude Oil & acrylic on panel • 24" x 48"

Matins Oil & acrylic on panel • 24" x 48"

Apotheosis I Oil & acrylic on canvas 48" x 32"

Apotheosis III Oil & acrylic on canvas 48" x 32"

WORKS SOLD

About the Artist

Patrick Adams earned a Master of Fine Arts degree from the University of Kentucky in 1992. He taught in the Art Department at Asbury College for several years and now works full time in his studio. Mr. Adams' work has been included in exhibitions at several galleries and museums throughout the region, and he shows his work regularly in Chicago and Nashville. He has twice been awarded the prestigious Al Smith Fellowship from the Kentucky Arts Council, and his paintings are in many private and corporate collections across the United States. Adams was one of 14 Kentucky artists featured in the KET (Kentucky Educational Television) series, Looking at Painting. He resides with his wife Terre and three children Margaret, William and Abigail in Nicholasville, Kentucky.

Artist's Statement

Evidence

In the process of creating a painting, there remains, despite the conscious exertion of my will, a thread of the mysterious and seemingly arbitrary. This admission implies there is something that emerges in the image beyond the interaction of intellect and material. It is this discovery, or recognition of the unanticipated that drives my work and is, in fact, it's very essence. This requires, however, that I believe that there is more to painting than the arrangement and manipulation of materials. The finished painting then becomes the manifestation, the incarnation, the evidence of my belief in the power and the inexorable mystery of images.

Patrick Adams, November 2, 2006

For more information about PATRICK ADAMS, please visit the artist's personal site

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