

Thicket
Brush and ink on paper • 22" x 30"
|

Sea Life #2
Sumi and acrylic ink on paper • 18" x 24"
|


Goblin Valley, Utah, 2005
Acrylic, gouache, sumi ink and conte on paper • 41" x 51"
|


Pine Dance I
Sumi ink on paper • 24" x 18"
|


Ballet
Sumi ink on paper • 24" x 18"
|
 But
to the East I
Sumi ink on paper • 16" x 20"
|


But to the East II
Sumi ink on paper •16" x 20"
|


Under a Honeyed Moon
Sumi ink on paper • 32" x 26"

|
Nancy Fletcher Cassell has lived and
worked in the Greater Cincinnati-Northern Kentucky area for the
past thirty years. Her studio is located in the Essex Studio complex
in Cincinnati, Ohio. She earned her MFA in drawing from the University
of Cincinnati in 1979 and received a B.S. in painting and art education
from Middle Tennessee State University in 1970. She also studied
as a full-time student at The Art Academy of Cincinnati 1974 to
1975.
Cassell began her career as a graphic
designer in Nashville, Tennessee and moved to the Cincinnati area
when she married in 1973. She taught painting, drawing and design
at Mount Saint Joseph College from 1980 to 1984. Currently, she
lives in Northern Kentucky and is a self-employed artist who is
well represented in regional and national exhibitions.
Cassell is the recipient of three Al Smith Fellowships from the
Kentucky Arts Council, an NEA Regional Fellowship from the Southern
Arts Federation, two Summerfair, Inc. grants, a grant from Art Matters,
and two grants from the Kentucky Foundation for Women. She has received
residency fellowships at Yaddo and The Virginia Center for Creative
Arts. Cassell has received numerous show and purchase awards. Her
work has been published in New American Paintings Magazine and The
Artist's Magazine. She was one of fourteen Kentucky artists featured
in the KET public television special "Looking at Painting". She
has work in the permanent collections of The Arkansas Arts Center,
Little Rock Arkansas, The Springfield Museum of Art, Springfield,
Ohio, and the Owensboro Museum of Fine Art, Owensboro, Kentucky,
plus work in numerous public and private collections.
I belong to certain places, certain trees, and a certain kind of motion occurring in the landscape and the human form. I found many years ago, that when I paint or draw the landscape, human forms spontaneously occur. For me, memories, the marks of handwriting, sensations and places merge and remerge in an abstract language through visual media and poems.
Quilts made by generations of women in my family have influenced the large installations I create. Also time spent traveling across the U.S. by car, as my father was career military, gave me a different experience of the land, showing itself in flashes similar to animation and magazine layouts. I often choose to work in black and white as well as color. The black and white pieces allow for very densely packed compositions. This method welcomes viewers to enter the flow and establish a feeling for the sculptural forms occurring in each piece.
I trust viewers to understand abstraction as a code full of meaning, as artwork that reveals the rich layers of the interior of the artist. These works act as a type of visual--psychological journal. They allow me to speak both directly and indirectly about the processes of life and to recreate an internal environment to share with others.
Nancy Fletcher Cassell, 2011
For more information on Nancy Fletcher
Cassell, please visit
the artist's personal site
|