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ROBERT JAMES FOOSE

Please contact the gallery for purchasing information



Picnic III
Oil on canvas 36" x 48"



Pumpkin
Oil on canvas
24 " x 30"



Green Parrot
Oil on canvas
30" x 24"




Small Begonias
Oil on canvas
24" x 30"




Pretty
Oil on canvas
37" x 49"



Two Pears
Oil on canvas
24" x 30"




Lily Pads
Oil on canvas
24" x 20"




Flora and Fauna
Oil on canvas
48" x 36"



Poke Berry
Oil on canvas
36" x 48"




Mudflow
Oil on canvas
20" x 24"




Calla Lilies
Oil on canvas
48 " x 36"



Summer Lilies
Oil on canvas
24" x 24"




Picnic II
Oil on canvas 48" x 36"



Irises
Oil on canvas
30 " x 24"



Tulip Bench
Oil on canvas
36 " x 26"




Vestige
Oil on canvas 35" x 36"




Crossing
Oil on canvas 18" x 18"




Iris Pond I
Oil on canvas 36" x 36"




Megan's Pond
Oil on canvas 30" x 30"




Iris Pond III
Oil on canvas 47" x 35"




Ghost
Oil on canvas 44" x 40"




Giverny
Oil on canvas 40" x 70"




Complements
Oil on canvas 36" x 48"




Root Strength
Oil on canvas 22" x 20"



WORKS SOLD

About the Artist

Robert James Foose is one of the region's most celebrated artists. He is an Associate Professor in the Department of Art at the University of Kentucky, where he formerly served as Chair. He maintains active memberships in numerous art societies, his name is included in several art directories, and he has created and illustrated many books and constructions. Over the past twenty-five years, he has had more than fifty solo exhibitions, and his work has been included in over one hundred group exhibitions. He is the recipient of more than one hundred and fifty first-place awards for painting and printmaking. Foose's work is included in numerous public, corporate, and private collections throughout the United States, including the J.B. Speed Art Museum in Louisville, the Owensboro Museum of Fine Art, and the Springfield Art Museum in Springfield, Missouri.

Artist's Statement

Like Cezanne, my paintings are based on reality and connected to the earth. The "earth" in these paintings is no more than fifty feet from the easel on which they are made. It is my garden in which I have dug, planted, and discovered my motifs. Though common in idea, I try for the uncommon... fully aware of the historical continuum of painting itself. I feel both humbled and empowered by endless possibility of what could come next.

Robert James Foose, April 2006



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