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price range: $4,500 - $6,000


Night & Day
Acrylic on canvas • 36" x 42"

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Deep Blue
Acrylic on canvas • 48" x 54"

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Place of Mystery
Acrylic on canvas • 48" x 48"

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From Below
Acrylic & oil on canvas • 66" x 60"

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Seldom Seen
Acrylic & oil on canvas • 66" x 54"

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Robert Tharsing is a Professor Emeritus in the Department of Art
at the University of Kentucky. He was born in Santa Monica, California,
and graduated from the University of California at Berkeley in 1967
with BA and MA degrees. He married Ann Tower in 1973 and they have
a daughter, Lina.
Tharsing is known for the breadth of his artwork, making both
abstract and representational paintings and sculpture. He has been
the recipient of many awards, including the Phelan Prize at the
University of California at Berkeley, and the Al Smith Fellowship,
presented by the Kentucky Arts Council. In 1998, Tharsing was the
subject of a profile produced by Kentucky Educational Television
entitled Master of Art: Robert Tharsing, and in 1999-2000,
he conceived, hosted and co-directed a series for KET entitled "Looking
at Painting."
Tharsing's work has been shown regionally, nationally, and internationally
and is included in many private and public collections, such as
the University of Kentucky Art Museum, the Kentucky Clinic and the
College of Business and Economics, University of Kentucky, Lexington,
KY; the J.B. Speed Art Museum, Louisville, KY; the Huntington Museum
of Art, Huntington, WV; Dollar General Corporate Offices, Goodlettsville,
TN; Alabama Power Company, Birmingham, AL; and the Owensboro Museum
of Fine Art, Owensboro, KY.
I am fascinated by the wealth of possibilities
of what painting can be, as well as by what it has been. Artists
of the past have established the boundaries, much as early explorers
mapped the continents, but we are still finding new ways to make
paintings and likewise, we continue to learn about the Earth and
our place in it. I see painting as the search for meaning -- the
meaning of the painting and the meaning of life.
I am interested in a variety of ideas
regarding the nature of painting, and I have developed several ways
of working to address these ideas by using realism, abstraction,
and often a mixture of both. Color and the processes I use to arrive
at an image are the common threads that run through my work.
Robert Tharsing, 2005
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