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The Ann Tower Gallery is pleased to present new paintings
and sculpture by one of the region's most talented artists,
Robert Tharsing, a Professor
Emeritus in the Department of Art at the University of Kentucky.
An early retirement from UK in 2002 has allowed Tharsing to
spend nearly all his time working in his studios in Lexington
and Nova Scotia.
Ever shifting between realism and
abstraction, the current body of work, 11 large-scaled paintings,
focuses primarily on the abstract. Since the late 1960s, geometry
has intrigued Tharsing as way of constructing a painting.
Early works employed a grid system of equally sized taped
lines that divided the surface. Eventually, rectangles within
the painting were taped and painted and re-painted to create
patches of thick texture and rich color, layered upon thin
areas. The new work introduces another simple element into
the geometry - the circle. Like the earlier rectangles, the
circles are taped and painted and re-painted until “they
work…” While the paintings are the result of Tharsing’s
personal, intellectual and formal investigations, they are
easily accessible to viewers because of their lavish color,
shapes, and surfaces. Like his representational paintings,
these pulse with life and are infused with a sense of movement
and drama that is slowly revealed.
The exhibition also includes several
new pieces of brightly painted sculpture constructed from
driftwood Tharsing collected along the shores of Mahone Bay,
Nova Scotia. The animated shapes of roots, limbs and other
wood debris suggest certain creatures that he accentuates.
A third component to the exhibition is a series of small paintings
of Nova Scotia rocks, which Tharsing painted last summer.
For more than a decade, the artist has painted from life the
rocks he collects. He paints them life-sized and as accurately
as possible, sitting on simple white boards in bright light
with deep shadows. These beautiful intimate paintings have
a Zen-like, meditative, and often comical quality.
Tharsing's work has been exhibited
nationally and internationally, he has had numerous solo exhibitions,
and his work in is many public and private collections.
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